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EXCERPTS

"Absolutes," an excerpt from Anything You Say Can and Will Be Used Against You (HarperCollins, 2004)

This really happened, this story. I've never told anyone, not the whole story. When civilians ask, I say, "No, never killed anybody." Almost apologetically because I know they want me to say yes. Because then they can ask more. Because then their minds can twist the various elements of a-woman-with-a gun-killing-a man into their own vicarious masturbation of fact.

This will be just the facts: I killed a man. I shot him at 1:33 am. He died at 1:57 am. That's when I couldn't get a pulse, a heartbeat.
Read more. (pdf format)

 

"Alive"--published in Brevity, an online journal of short literary nonfiction.



Excerpt from "Girl Fighting"
(Creative Nonfiction, Spring 2004)

The first time I got punched in the face--punched, not slapped or shoved or struck or thumped by a flying elbow gone astray, but punched as in a fist landed squarely on the lower quadrant of my right cheek--it was delivered just after midnight in an apartment parking lot off Airline Highway in south Baton Rouge by a man at least five inches taller and a good 70 pounds heavier than me. I was not his intended target. He intended to hit his wife. She ducked. I didn't.
Read more. (pdf format)



"Old Habits," prologue to Losing My Gun, a memoir in progress

Fall 1989. Almost midnight at ToyJoy, a funky, noisy toy store swathed in twinkly lights and geometric neon shapes just off the Drag in Austin, Texas. My new friend, Leila, her husband, Burke, and I wander the aisles, shuffling sideways past jostling hordes of other late-night wanderers--mostly students and thirty-something adults --fingering plastic armadillos that glow in the dark, dancing hula girls with cowboy boots and tattoos, cow in a soap, glittery body paint (some of it edible), oversized spiders, sophisticated versions of two cans and a string.....

I gradually become aware of an argument between two men at the front of the store. Clipped words, sharp as sticks snapping, grow in volume, then shift to longer vowels. The words are less important than the tone, and I know the underlying tone in those voices well; violence is not far away. Something buried deep within clicks on: my attitude, attention, body language alters.
Read more. (pdf format)

 




__________________________________________________________________
July 2006
laurie@lauriedrummond.com

Picture and text
from the St. Edward's
University Magazine
,
Summer 2004.


Cops are trained to pay attention --the tiniest detail may save a life or solve a case. So it's no surprise that after nine years in law enforcement, Laurie Lynn Drummond has developed a keen sense of observation. These days, she has traded her badge for a blackboard and her weapon for words. An assistant professor of English, Drummond combines her finely tuned senses with her love of language. The result? Her new short story collection from HarperCollins--Anything You Say Can and Will Be Used Against You
--
received starred reviews in Kirkus and Library Journal. And she continues to explore language, constantly discovering new words, like lacuna, which eventually appear in her work. Drummond also mentors students by showing them her earliest attempts at fiction: "Teaching is an expansion outward; writing is a journey inward."
--Stephanie Elsea
University Relations
St. Edward's University
Austin, TX